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! Download Ebook The Essays of Samuel Johnson: Selected from the Rambler, 1750-1752; The Adventurer, 1753; And the Idler, 1758-1760 (1899), by Samuel Johns

Download Ebook The Essays of Samuel Johnson: Selected from the Rambler, 1750-1752; The Adventurer, 1753; And the Idler, 1758-1760 (1899), by Samuel Johns

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The Essays of Samuel Johnson: Selected from the Rambler, 1750-1752; The Adventurer, 1753; And the Idler, 1758-1760 (1899), by Samuel Johns

The Essays of Samuel Johnson: Selected from the Rambler, 1750-1752; The Adventurer, 1753; And the Idler, 1758-1760 (1899), by Samuel Johns



The Essays of Samuel Johnson: Selected from the Rambler, 1750-1752; The Adventurer, 1753; And the Idler, 1758-1760 (1899), by Samuel Johns

Download Ebook The Essays of Samuel Johnson: Selected from the Rambler, 1750-1752; The Adventurer, 1753; And the Idler, 1758-1760 (1899), by Samuel Johns

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The Essays of Samuel Johnson: Selected from the Rambler, 1750-1752; The Adventurer, 1753; And the Idler, 1758-1760 (1899), by Samuel Johns

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

  • Sales Rank: #8612668 in Books
  • Published on: 2007-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .91" w x 5.98" l, 1.31 pounds
  • Binding: Paperback
  • 408 pages
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Most helpful customer reviews

3 of 3 people found the following review helpful.
From Serious to Light and Back to Serious
By Martin Asiner
Samuel Johnson personally wrote most of the two hundred essays of the Rambler that began a two year run in 1750. He is quite frank in admitting that in several of these essays that very many of them were written in a hasty manner that left no time for editing. Publishing deadlines, being what they were then, required swift writing and even swifter proofreading. Further, as in Essay # 134, he admits that many writers, including himself, were afflicted with varying degrees of literary paralysis that required a writer to postpone until the last possible moment the act of writing or editing. Despite his frequent rushed writing, succeeding generations of critics have favorably commented on what they deemed to be the essays' polished, elegant, and uniform quality.

The Rambler is often compared to its ancestors, the Tatler and the Spectator of Addison and Steele, both of which were noted for their chatty and breezy style. Johnson would have nothing like that here. His very nature was inclined to the didactic. He saw his literary output as a lectern from which he could tell the world How to Behave. His essays, then, were most often stern calls to seriousness, morality, and decorum. He was less interested in entertaining his readers than in instructing them. It is no surprise, therefore, that more than a few readers, used to the informality of Addison and Steele, wrote letters of complaint, urging him to "lighten up" in his ceaseless quest for the infelicity of life. Johnson was sufficiently the pragmatist not to ignore totally such criticisms. He published a few such letters (possibly made up as templates by himself) to let his readers know that he was taking such comments in the proper spirit. One does not often find light or humorous themes present. What one does find are variations on related thrusts: the futility of man to achieve fame, fortune, success, and beauty; the inevitably doleful consequences of seeking things rather than ideas, and the need to establish a base line of morality that would enable one to live in relative peace both with himself and his neighbors. Johnson took a suitably pessimistic view of man as being inherently corrupted since the days of Adam. In essay after essay, he reaches out to correct one lamentably long series of failings after another. Laziness is his target in Essay #134. Envy is yet another in Essay # 183. The need for hollow praise is addressed in Essay # 146. Though he seeks to improve man's fallen lot, he is most often disappointed. His voice of moderation is the lone voice in the wilderness.

Since Johnson was a man of letters, many of which were of Greek and Latin, it is no surprise that several essays dealt with literary themes. Essay # 4 covers his distaste for what he saw as the potential for harm that novels could exert on the youthful moralities of the unwary. He deplores the focus of other writers to present what he deemed indecent or lascivious themes to callow readers. His own writings are replete with paternalistic exhortations that nothing indecent should be offered to the eyes and ears of readers. He loved to "teach" in the moralistically prudent sense of the term. He had no qualms about using his own heightened sense of morality as a template and paradigm to those deficient in those areas. He takes to task those writers who create "splendidly wicked" characters whose very splendidness serves merely to urge others to be similarly wicked. If vice were to be mentioned, then it must be the writer's bounden duty to present that vice as a trait to be extirpated by virtue.

When the Rambler folded in 1752, Johnson would not again take up the role of the essayist until 1758, when he published the Idler, a periodical that would correct much of the overly stern exhortations to morality that so annoyed his readers.

Beginning in 1758, Samuel Johnson continued the tradition begun by Addison and Steele and later by himself in a twice weekly journal called the Idler. Johnson had a life-long problem with meeting the realities of publishing a periodical--that the publisher had to adhere to a rigorous schedule of writing, editing, and printing a never-ending series of articles. The title is a joke, the nature of which he would occasionally write about in this journal as well as in its predecessor, the Rambler. There were considerable differences between these two journals. Where the Rambler was serious, ornate, rarely informal, and constantly harping on the futility of man ever to achieve emotional or psychological equilibrium, the Idler was far more relaxed, chatty, and informal, all of which added up to a periodical that the average Londoner could relate to as he took his coffee in any of the innumerable coffee houses scattered throughout England. Many readers of the Rambler had complained about the overly exalted tone and heavily erudite Latinate prose rhythms. In the Idler, Johnson took their criticisms to heart and made what for him was an honest attempt to be less ponderous. He did not always succeed but he did deviate often enough from his much beloved ornate prose to present an ongoing series of essays that Londoners grew to demand. It is not easy to divide neatly his output into recognizable sections. As in the Rambler, Johnson simply could not totally divorce himself from his need to decry the futility of man's inexorable sinking into a social and philosophical morass of his own making. In Essay # 41, he describes the unease that results when mankind is faced with the reality of his own looming mortality. In Essay # 72, he laments the pivotal role that memory plays in the degradation of man's ability to think. When Johnson was not waxing morosely over the slings and arrows of man's outrageous misfortunes, he could address any issue that caught his fancy in a manner that his readers found irresistible. He borrowed from Addison and Steele the trick of using alliterative names to comment on the social foibles of the age: Betty Broom, Peter Plenty, and Tom Tempest. Several of his essays related to literary criticism, as in Essay # 60, where he has critic Dick Minim scandalously critique other and far more talented writers merely to let his readers know that the very ones telling them what to think were themselves bereft of original thought. At about the same times that Johnson was publishing his Idler, he had just printed a pseudo-novel Oriental fable called Rasselas, which recounted the unhappy fortunes of those seeking peace and contentment is a fabled and foreign realm. Several of the essays of the Idler contained similar such wistful longings. In another, he humorously depicts the lives of women whose husbands dash off to war. He was not even unwilling to criticize his own foibles. In Essay # 31, he writes of a Mr. Sober (again himself), who has practiced Orwellian mind-control for so long that he can convince himself that he is gainfully occupied when he is merely seeking endless excuses for indolence. When he was not sarcastically poking holes in the inflated egos of those whom he saw as moral reprobates, Johnson took serious looks at social issues that he felt needed a closer public scrutiny. He praised the good deeds of hospitals that catered to the impoverished. He reminded the public that prison terms for debt were injurious both to the state and to the debtor by depicting the conditions under which those debtors had to exist while incarcerated. It was this diversity of scope and style that rendered the Idler the reading interest that only Samuel Johnson could generate.

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