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Johnny and the Dead (The Johnny Maxwell Trilogy), by Terry Pratchett
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The second hilarious fantasy novel about Johnny Maxwell from master storyteller Terry Pratchett.
Sell the cemetery?
Over their dead bodies.
Not many people can see the dead (not many would want to). Twelve-year-old Johnny Maxwell can. And he's got bad news for them: the council want to sell the cemetery as a building site. But the dead have learnt a thing or two from Johnny. They're not going to take it lying down... especially since it's Halloween tomorrow.
Besides, they're beginning to find that life is a lot more fun than it was when they were... well... alive. Particularly if they break a few rules.
- Sales Rank: #684224 in Books
- Published on: 2010-08-17
- Released on: 2010-08-17
- Format: International Edition
- Original language: English
- Number of items: 1
- Dimensions: 7.82" h x .55" w x 5.10" l, 1.10 pounds
- Binding: Paperback
- 240 pages
From School Library Journal
Grade 5-7–In this sequel to Only You Can Save Mankind (HarperCollins, 2005), 12-year-old Johnny discovers that he can see, hear, and communicate with spirits in the town cemetery. The cemetery, the only spot of unblighted land in the town, is about to be bulldozed and developed by a large corporation, so Johnny and his friends set about trying to save it (and its denizens) from destruction. Unfortunately, no one particularly famous was ever buried there, so the boys' publicity plan seems doomed–until the dead take things into their own innovative and rebellious hands, and Johnny finds the courage to take a stand against all odds. Fans of Gregory Maguire's books will appreciate the tongue-in-cheek tone and wry humor, and the quarrelsome yet friendly chatter among the dead spirits is reminiscent of Eva Ibbotson's titles. The plot (kids versus big corporation, à la Carl Hiassen) is tied up rather too neatly, but that's beside the point. Readers will take immense pleasure in the jokes, some broad and some subtle and dry, that come sailing at them from all sides. This book stands alone easily, but after reading it, kids will want the first one.–Eva Mitnick, Los Angeles Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Gr. 5-8. In the previous volume of the Johnny Maxwell trilogy, Only You Can Save Mankind (2005), aliens solicited Johnny's help. Here Johnny is buttonholed by dead people worried about a developer's plans to bulldoze their cemetery. Assisted by three skeptical but loyal sidekicks, Johnny delves into city history and mounts an eloquent plea for preservation, while the ghosts revel in modern technology and pop culture. Aspects of the telling are imperfectly blended, especially the thread involving Johnny's ineffable sense of connection to a local battalion decimated in World War I. Nonetheless, Pratchett's fans will revel in the idiosyncratic touches, such as the quirky euphemisms for dead ("breathily challenged," "post-senior citizens"), and his thematic juggling act, which incorporates wit and slapstick, philosophies of the afterlife, and a gritty view of a struggling, working-class community ("The point about being dead in this town is that it's probably hard to tell the difference"). First published in England in the early 1990s, which accounts for some dated references, the trilogy was previously available to U.S. readers only in a book-club edition. Jennifer Mattson
Copyright © American Library Association. All rights reserved
Review
• "A humorous book, full of puns and asides, wittily and skilfully written... a delight of a book for any fluent teenage reader." --School Librarian
Most helpful customer reviews
0 of 0 people found the following review helpful.
Interesting
By E. Jacobs
Love Terry Pratchett for a rollicking good read. Interesting premiss.
5 of 5 people found the following review helpful.
Living it up with the dead
By E. A Solinas
Johnny and his band of quirky pals are back in "Johnny and the Dead," the second book of Terry Pratchett's "Johnny Maxwell" trilogy. Pratchett was surer this time around, endowing this hilarious sequel with quirkier dialogue and stories, and snappier writing.
Johnny Maxwell sees dead people. (Yes, like the little boy in "Sixth Sense.") For whatever reason, he sees the dead in their graveyard -- not really ghosts, but not alive either: a crabby former soldier, a distant relative of Einstein, a sprightly suffragette who died in a freak mishap, and a staunch Communist who STILL doesn't believe in life after death. All in all, they are a fairly harmless bunch.
But a massive, mercenary, progress-obsessed corporation has just bought the graveyard for fivepence, and it will soon be razed for new construction. The only people more dismayed than the living inhabitants of Blackbury are the dead ones. So as the dead break their bonds to "unlive," Johnny and his friends will try to save the graveyard from... a fate worse than death?
Yes, it's the sort of bizarre, slightly twisted plot that only Terry Pratchett could cook up, and then pull off. And yes, the same could be said of "Only You Can Save Mankind." But by the time he wrote this -- pre-Discworld -- Pratchett had obviously grown into his skills.
In particular, the Big Message in this book is more subtle -- that money and progress aren't worth anything if they destroy the past. Despite that heavy moral, the handling of it is light and entertatining, such as when the dead Communist calls up a radio talk show host and speaks frankly about being "vertically challenged."
Despite half a dozen amusing dead people, the star of the piece is Johnny himself -- smart, quiet unless he has a reason to speak out, and inexplicably able to see the dead. He also plays straight man to the quirkier pals, like peculiar Wobbler, intellectual Yo-less, and perpetually hungry Bigmac. Although you'll need to have read "Mankind" to know who they are.
"Johnny and the Dead" is not just a sequel that surpasses the first book of this trilogy, but probably the best pre-Discworld work that Pratchett did. Funny, twisted and very well-done.
12 of 12 people found the following review helpful.
for alleged grown-ups as well as young adults
By R. Kelly Wagner
For the Terry Pratchett fans out there, nothing more need be said. It's Pratchett, you want to read it, the only reason you've been hesitating is because it's marked as a kids book (juvenile, young adult...) But this one isn't just for kids. As with any Pratchett book, there are layers and layers, and some of them wouldn't be obvious to kids at all.
In fact, some of them wouldn't be obvious to adults who haven't taken a college physics course or two, and/or kept up by reading all the science magazines. I'll bet I missed a couple of jokes or two, maybe a pun here and there, because my college physics courses were too long ago.
But that's OK, the book's enjoyable even without those - there are enough layers that there is something for everyone. The humor flows from the characters, the story, and the writing style. As with any Pratchett book, the humor also contains some serious ideas, hidden until you suddenly realize you need to pay attention to them.
The protagonists are Johnny, and his friends Wobbler (who wobbles), Bigmac (who is large), and Yo-less, who is apparently the only black in Blackbury who doesn't say yo. Each of this team has his own strange store of skills or knowledge, and Johnny's erratic talents turn out to include being able to talk to the dead, who definitely don't like being referred to as ghosts. The dead are characters too, especially Mr. Einstein - not the famous one, but his distant cousin, who should have been famous too, but was too busy being a butcher.
As you're reading, take note of the project on World War II that Johnny is doing for school; it also features in the next book in the series, "Johnny and the Bomb." (One of the funny bits in the book is how, whenever a kid claims he's doing "a project," he winds up with all sorts of information that is unsuitable for kids, and/or hitherto classified or secret; the remembered horror of school projects makes all the adults give in so that they don't have to think about it any more!
The series has no noticeable sexual content, and no real bad language; the most dangerous things in it for young readers are the ideas, which may make them *gasp* think! It may also make them lifelong Pratchett addicts. Some parents may object to the casual car thievery that is one of Bigmac's habits, and perhaps might find that the ability of kids to evade adult supervision is disconcerting, but it's no less true for all that. And some American younger readers may find the Englishness of it a bit hard to follow in some spots - housing projects referred to as blocks, french fries as chips, and so on. Well, a little bit of education in the ways of the world outside the USA won't hurt them any!
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