Jumat, 06 Juni 2014

## Ebook The Machineries of Joy, by Ray Bradbury

Ebook The Machineries of Joy, by Ray Bradbury

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The Machineries of Joy, by Ray Bradbury

The Machineries of Joy, by Ray Bradbury



The Machineries of Joy, by Ray Bradbury

Ebook The Machineries of Joy, by Ray Bradbury

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The Machineries of Joy, by Ray Bradbury

Ray Bradbury short story

  • Sales Rank: #1993150 in Books
  • Published on: 1976
  • Number of items: 1
  • Binding: Paperback
  • 213 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
No One Writes Like Bradbury
By Philip P. Giunta
As usual, Ray Bradbury writes in splendid imagery, his prose poetic. No one else wrote, or will ever write, like Bradbury.

Yet, I fear most of today's editors would likely slash and gut much of his beautiful detail, carving the very heart from his work. Such are the changes in readers' tastes, which I partly blame on the dumbing down of society.

The Machineries of Joy was, not surprisingly, a joy to read. Of the 21 brilliant stories included, my favorites were:

"Tyrannosaurus Rex" — A stop-motion animator, tasked with creating a miniature T-Rex, just cannot seem to satisfy a film producer—until he completely recreates the beast's face to resemble someone very familiar.

"The Vacation"— Traveling atop a small four-wheeled workman's railcar, a family of three takes a serene cross-country excursion, able to avoid the rest of humanity—because they are the last people on Earth.

"Boys! Raise Giant Mushrooms in your Cellar!"— Inspired by an ad in Popular Mechanics, a boy sends away for a kit to grow mushrooms in his parents' cellar, something that seems to be catching on across the country. However, it isn't long before alarming behavior begins to manifest in those who eat the mushrooms.

"Almost The End Of The World" — Two miners return home to regale the locals with yet more tall tales of adventure only to find their town completely changed. Everything is freshly painted from homes to shops to flower pots—and the locals suddenly prohibit the miners from uttering a word.

"And The Sailor, Home From The Sea" — A dying sea captain and widower, now living on a wheat farm far from the ocean, asks his caretaker to bury him at sea where he lost his wife so many years ago. When the time comes, the caretaker follows through—without ever leaving the farm.

"A Miracle of Rare Device" — Two schemers always looking for a fast buck discover a mirage in the New Mexico desert that appears to be New York City! They begin selling tickets to passersby, only to learn that each person sees something completely different—and life altering—in the trick of light and heat.

"And So Died Riabouchinska" — A detective investigating a murder questions a ventriloquist, but only learns the truth through the man's exquisite Russian female puppet.

"Death and the Maiden" — Old Mam, or so the townsfolk call her, locked herself in her house decades ago, fearing the day when Death would come for her. She receives no visitors save for a grocery clerk who merely delivers food to her porch once every few weeks. When Death finally arrives, he tempts Old Mam with an unexpected offer.

"To The Chicago Abyss" — A homeless man who remembers what life on Earth was like before Annihilation Day is saved from a beating on the street by the member of a secret movement that wishes to return to the days of old. The homeless man's reputation has fallen under the scrutiny of the authorities so the movement's followers send the homeless man to a place of safety, but not before he imparts his knowledge to them.

"The Anthem Sprinters" — In Dublin, a group of Irishman place bets on who can run out of the cinema the fastest after a movie, in order to avoid listening to Ireland's national anthem, which is played after the end of every film. When an American tourist is convinced to ante up and join the fun, he finds that even this callous group has a heart of gold.

18 of 18 people found the following review helpful.
Stories that are a joy to read
By Dave Deubler
Ray Bradbury is one of the finest short story writers of his era, and this book is a marvelous showcase of the depth and breadth of his work. Bradbury is often pigeon-holed as a science fiction writer, because of the enormous popular success of his futuristic novel Fahrenheit 451 and the excellent short story collection The Martian Chronicles, but much of his work transcends science fiction and fantasy altogether. In this collection (as with several others), Bradbury shows us his more human side, with offerings that range from the fantastic to the everyday, but always with the emphasis on people, and how they react to the sometimes difficult situations they find themselves in. There are a couple good science fiction yarns, including "The One Who Waits" with its menacing feel, and the casually apocalyptic "Boys! Raise Giant Mushrooms in Your Cellar!" but even these feature protagonists who are nothing like the standard types. Unlike the driven loners who populate many works of science fiction, Bradbury's characters are members of families, visit with friends, and even play active parts in their communities. Bradbury chooses to make his characters human not with cruelty and vulgarity, but with compassion and simplicity, as in "The Beggar on O'Connell Bridge." Bradbury narrates in a muted tone, making the reader listen closely to hear him; his stories are quieter than perhaps any modern writer's. Into this reverent hush, he places small nuggets of story, sometimes with very little action, or with the action delineated, but not actually taking place within the story, such as the quiet evening before the battle in "The Drummer Boy of Shiloh." Some of the stories are almost like prose poems, extolling the wonders of nature, as in "A Miracle of Rare Device" or offering subtle social commentary, as in "Almost the End of the World." As such, Bradbury is not for everyone; action-lovers may find his work boring or even frustrating, and fans of science fiction and fantasy will discover that much of his work is both reality-based and non-scientific. Instead, he searches out some obscure corner of personal morality, and asks us to accept it for what it is. Bradbury believes in the essential goodness of human beings, despite their occasional lapses, and makes us feel good to be part of the human race. He is willing to forgive humanity its foibles, and hopes with us for a better tomorrow. For today, that seems cause enough for joy.

13 of 13 people found the following review helpful.
A Master at the Height of his Powers
By Avid Reader
This is vintage Bradbury - no punk, obscenity, fantasy, horror or sex. Just beautiful, succinct, wonderfully constructed short stories that give new meaning to the term "American Genius".
The stories range in subject matter from religion to space to family to war but through it all Bradbury explores the meaning of being human in all its wondrous degrees. There is more poetry in this prose than in most English books of poetry. Every single story - I mean every one! - is excellent, thought provoking and haunting. What a writer!

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